<?xml version="1.0" encoding="UTF-8" ?>
<modsCollection xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" xmlns:slims="http://senayan.diknas.go.id" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd">
<mods ID="945" version="3.3">
<titleInfo>
<title>PH1 Erwin Olaf</title>
</titleInfo>
<name type="Personal Name" authority="">
<namePart>Lesley A. Martin</namePart>
<role><roleTerm type="text">Primary Author</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<genre authority="marcgt">bibliography</genre>
<originInfo>
<place><placeTerm type="text">singapore</placeTerm></place>
<publisher>aperture</publisher>
<dateIssued>2008</dateIssued>
<issuance>monographic</issuance>
<edition></edition>
</originInfo>
<language>
<languageTerm type="code">en</languageTerm>
<languageTerm type="text">English</languageTerm>
</language>
<physicalDescription>
<form authority="gmd">Text</form>
<extent>105 p ; 32 cm</extent>
</physicalDescription>
<note>Dutch photographer Erwin Olaf delivers a velvet-gloved emotional impact with his highly stylized mode of image making. His work offers a blend of mid-century modern and noir aesthetics seen through a contemporary, fashion-inflected lens. The ambience of the series presented in this volumethe first time these three bodies of work have been presented as a wholeis truly enigmatic and enticing. Olaf seduces the viewer via a mannered, restrained palette that is replete with faded avocado greens, golden-hued oranges, and subtle lilacs. Each richly colored and sleekly composed image offers a sly reinterpretation of Norman Rockwell-like iconography and characters, manifesting a nostalgia that both burlesques and wryly celebrates America of the 1950s and 60s. As a whole, the material investigates what critic Jonathan Turner defines as Olafs recent fascination with the visual representation of such emotions of loss, loneliness, and quiet despair. . . . [He] plays games with the idea of cold reality versus cruel artifice, capturing that precise moment when innocence, hope, and joy are lost.</note>
<classification>BR778.9 MAR e</classification><identifier type="isbn">978159711061</identifier><location>
<physicalLocation>Lasalle College Jakarta Library Catalogue</physicalLocation>
<shelfLocator>BR778.9 MAR e</shelfLocator>
<holdingSimple>
<copyInformation>
<numerationAndChronology type="1">PH10092</numerationAndChronology>
<sublocation>Photography</sublocation>
<shelfLocator>BR778.9 MAR e</shelfLocator>
</copyInformation>
</holdingSimple>
</location>
<recordInfo>
<recordIdentifier>945</recordIdentifier>
<recordCreationDate encoding="w3cdtf">2013-09-13 10:44:14</recordCreationDate>
<recordChangeDate encoding="w3cdtf">2016-06-18 13:37:30</recordChangeDate>
<recordOrigin>machine generated</recordOrigin>
</recordInfo></mods></modsCollection>