| Title | PH1 Cindy Sherman History Portraits; The Rebirth of the Painting After the end of Painting |
| Edition | |
| Call Number | 778.9 DOT c |
| ISBN/ISSN | 9783829606004 |
| Author(s) | Christa Dottinger |
| Subject(s) | |
| Classification | 778.9 DOT c |
| Series Title | GMD | Text |
| Language | English |
| Publisher | schirmer |
| Publishing Year | 2013 |
| Publishing Place | Los Angels |
| Collation | 72p ; 24cm |
| Abstract/Notes | Cindy Sherman's work is structured into series, the best known of which are History Portraits and Untitled Film Stills (1977-1980), which led to Cindy Sherman's artistic breakthrough. In History Portraits, the artist carries out radical transformations of Old Master paintings. Using make-up, cloth drapes, and prostheses, she photographs herself in the poses in which the Old Masters portrayed women. Christa Schneider presents an art-historical analysis of the History Portraits. Identifying a clear model for every single portrait (e.g. Botticelli and Rubens, François Boucher and Jacques-Louis David), she reveals Sherman's extremely precise and enigmatic method of working in which the artistic media employed by Sherman--photography and acting--are surprisingly compatible with painting." |
| Specific Detail Info | the rebirth of the painting after the end ofpainting |
| Image |  |
| File Attachment | LOADING LIST... |
| Availability | LOADING LIST... |
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