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<title>PH1 Cindy Sherman History Portraits; The Rebirth of the Painting After the end of Painting</title>
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<name type="Personal Name" authority="">
<namePart>Christa Dottinger</namePart>
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<place><placeTerm type="text">Los Angels</placeTerm></place>
<publisher>schirmer</publisher>
<dateIssued>2013</dateIssued>
<issuance>monographic</issuance>
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<note>Cindy Sherman's work is structured into series, the best known of which are History Portraits and Untitled Film Stills (1977-1980), which led to Cindy Sherman's artistic breakthrough. In History Portraits, the artist carries out radical transformations of Old Master paintings. Using make-up, cloth drapes, and prostheses, she photographs herself in the poses in which the Old Masters portrayed women. 

Christa Schneider presents an art-historical analysis of the History Portraits. Identifying a clear model for every single portrait (e.g. Botticelli and Rubens, Fran&ccedil;ois Boucher and Jacques-Louis David), she reveals Sherman's extremely precise and enigmatic method of working in which the artistic media employed by Sherman--photography and acting--are surprisingly compatible with painting.&quot;</note>
<classification>778.9 DOT c</classification><identifier type="isbn">9783829606004</identifier><location>
<physicalLocation>Lasalle College Jakarta Library Catalogue</physicalLocation>
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